We recently bought a rare first edition of a book illustrating the effects of light and the weather on the landscape. It reproduces landscape sketches by William Gilpin (1724-1804), an English writer on art, school teacher and clergyman. His picturesque books became very popular especially among amateur artists , though his didactic and pedantic tone grated with some professional artists.
One of the reasons for acquiring a copy of his A practical illustration of Gilpin’s day (AB.10.213.02) is the fact that this 1811 edition includes an introduction and descriptive text for each plate by the Scottish painter and aquatint engraver John Heaviside Clark (1771-1863). He even hand-coloured the plates, thus adding spectacular dashes of colour and dramatic effects such as rainbows and flashes of lightning, which were a great improvement on the rather muted monochromatic aquatints of the earlier edition.
Clark cites two excerpts from the famous poem “The Seasons” by the Scottish poet James Thomson (1700-1748) and describes “the deep toned clouds skirted by the glowing tinges of electrified vapours” and the use of colours such as prussian-blue, gamboge and vandyck brown, but fails to make any mention of the figure suspended from what looks like a gallows tree.